The Cultural Center Planning Initiative

Before it was the Cultural Center Planning Initiative (CCPI), it was the DIA Plaza | Midtown Cultural Connections international design competition, which begun with the idea that animated public spaces have the power to bring people together and make a community stronger. It was that effect of a civic space that, along with residents and workers in the Cultural Center, the leaders of the Detroit Institute of Arts (DIA) felt was missing from their community—the arts & cultural district of Detroit that is home to not just the DIA, but to the Charles H. Wright Museum of African American History, the Detroit Historical Museum, the Detroit Public Library, the Michigan Science Center and other valuable organizations. The effort to realize a public space that enforced democracy, harmony and connections among the cultural institutions and residents as well as visitors alike, started with a grant awarded to the DIA for a plaza, and, with an understanding that the area holds potential for so much more, transformed into a broader district revitalization. To get the ball rolling, the DIA partnered with Midtown Detroit, Inc., a not-for-profit community and economic development organization, to implement a design competition.

The DIA Plaza | Midtown Cultural Connections competition centered around enhancing and enlivening the DIA’s exterior campus. It sought an outstanding integrated design team for developing an urban and landscape design strategy and connection framework. In April of 2018, the competition kicked off with a formal Request for Qualifications, to which forty-four teams submitted and from those, eight were selected to interview in Detroit. Three finalists were chosen and invited to submit a proposal to the final stage of the competition. 

On August 22, 2018, the DIA and MDI announced the design team consisting of Agence Ter, Akoaki, rootoftwo and Dr. Harley Etienne as the winner, thus marking the beginning of what is now the Cultural Center Planning Initiative, an 18-month planning process en route to a re-imagining of Detroit’s arts & cultural district, aiming to make it a vibrant, more connected space for community stakeholders, as well as more accessible and approachable.

View the Competition’s Request for Qualifications

View the DIA Plaza | Midtown Cultural Connections Competition Brief

Read below the mission and objectives of the CCPI, about the design team, the Cultural Center and more.

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This video details the progress of the DIA Plaza | Midtown Cultural Connections international design competition in Detroit, Michigan.
 
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The Team

Design Team

Agence Ter, Paris, France

Akoaki, Detroit

Dr. Harley Etienne, University of Michigan

rootoftwo, Detroit and University of Michigan


Project Management Team

Annmarie Borucki, Director of Arts and Culture, Midtown Detroit, Inc.

George Jacobsen, Program Director, Southeast Michigan Economic & Cultural Vitality, William Davidson Foundation

Felicia Molnar, Executive Director, Strategic Initiatives, Detroit Institute of Arts

Susan Mosey, Executive Director, Midtown Detroit, Inc.

Dan Rieden, Lead Landscape Architect, Planning & Development Department, City of Detroit

Michael Shaw, Program Director, Hudson-Webber Foundation

Tara Tuomaala, Program Officer, Fred A. and Barbara M. Erb Family Foundation

 
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ccpi steering committee

Neil Barclay, President and CEO, C. H. Wright Museum of African American History

Anne Beck, Vice President for Administration and Finance, College for Creative Studies

Valeria Bertacco, Vice Provost for Engaged Learning, University of Michigan

Alex Bourgeau, Manager, Modeling and Mobility Group, SEMCOG

Robert Bowen, CFO, Detroit Institute of Arts

Antoine Bryant, Director, Planning and Development, City of Detroit

Melanca Clark, President and CEO, Hudson Webber Foundation

Robert Davenport, Associate Vice President, Facilities Planning and Management, Wayne State University

Jasmin DeForrest, Director of Community Sponsorships, Rocket Community Fund

Kathryn Dimond, Executive Director, Hellenic Museum of Michigan

Joshua Edmonds, Director of Digital Inclusion, City of Detroit, Department of Innovation and Technology(DoIT)

John A. Erb, Chair and CEO, Fred A. and Barbara M. Erb Family Foundation

Sue Gott, Campus Planner, University of Michigan

Christian Greer, President and CEO, Michigan Science Center

Neil Hawkins, President and COO, Fred A. and Barbara M. Erb Family Foundation

Danielle Jackson, CEO, University Prep Schools

Wendy L. Jackson, Managing Director, Detroit Program, The Kresge Foundation

Sam Krassenstein, Deputy Director, Office of Mobility, City of Detroit

Darin McKeever, President and Chief Executive Officer, William Davidson Foundation

Jo Anne G. Mondowney, Executive Director, Detroit Public Library

Susan Mosey, Executive Director, Midtown Detroit, Inc.

Xavier Mosquet, Managing Director and Senior Partner, BCG - Boston Consulting Group

Oliver Ragsdale, President and CEO, The Carr Center

Rochelle Riley, Director of Arts and Culture, City of Detroit

Elana Rugh, President and CEO, Detroit Historical Society

Salvador Salort-Pons, Director, President and CEO, Detroit Institute of Arts

Ned Staebler, Vice President, Economic Development, Wayne State University and President and CEO, TechTown

Katie Trudeau, Deputy Director, Planning and Development, City of Detroit

Don Tuski, President, College for Creative Studies

Nate Wallace, Director, Knight Foundation - Detroit

Andrea Wilcox, Projects and Contracts Administration Engineer, Michigan Department of Transportation, Detroit Transportation Service Center

MaryAnn Wilkinson, Executive Director, The Scarab Club

Wojciech Zolnowski, Executive Director, International Institute of Metropolitan Detroit


THANK YOU to the Jurors of the DIA Plaza | Midtown Cultural Connections Competition

 

Salvador Salort-Pons

Director, President and CEO, Detroit Institute of Arts

Salvador Salort-Pons joined the Detroit Institute of Arts’ (DIA) curatorial division in 2008 as assistant curator of European paintings and served as head of the European art department since 2011, adding the role of executive director of Collection Strategies and Information in 2013. He also served as the Elizabeth and Allan Shelden Curator of European Paintings at the DIA and played a key role in the museum’s current strategic planning process. Salort-Pons was appointed director, president and CEO in October 2015, succeeding Graham W. J. Beal, who retired as director on June 30, 2015. With the tri-county millage in place and the City of Detroit’s bankruptcy successfully completed, Salort-Pons strongly believes the DIA is poised to move forward in engaging the museum’s local and regional communities as well as advancing its international profile. Ultimately, he envisions the DIA as the main square of the community where all will be welcomed, represented and united.

You can read more about Salvador here.

Maurice Cox

Director, Planning + Development Department | City of Detroit

Maurice Cox served as Mayor of Charlottesville from 2002 to 2004. He was an architect on the faculty of the University of Virginia. Cox is a former design director at the National Endowment for the Arts and a two-term City Councilor. In August 2012, Cox left Charlottesville for New Orleans, where he accepted the position of associate dean of community engagement at the Tulane University School of Architecture. In February 2015, he was named as director of planning and development for the city of Detroit.

You can read more about Maurice here.

Jonathan Massey

Dean, Taubman College of Architecture + Urban Planning | University of Michigan

Architect and historian Jonathan Massey is dean and professor at the Taubman College of Architecture and Urban Planning at the University of Michigan. In his previous position as dean of architecture at California College of Arts, his primary responsibility was for the vision, leadership, and administration of the CCA Architecture Division, which includes three accredited programs in architecture and interior design. At Syracuse University, he was the Laura J. and L. Douglas Meredith Professor for Teaching Excellence, where he chaired the Bachelor of Architecture program and the University Senate.

Massey holds undergraduate and doctoral degrees from Princeton University as well as a Master of Architecture degree from UCLA. His professional training includes practice experience at Dagmar Richter Studio, Brantner Design Associates, and Gehry Partners along with teaching experience at Barnard College, Parsons School of Design, Pratt Institute, and Woodbury University. In addition, he was a co-founder of the Transdisciplinary Media Studio and the Aggregate Architectural History Collaborative, which focus on the ways that history and practice of architecture and urbanism are understood and taught.

You can read more about Jonathan here.

Mario Moore

Artist

Mario Moore (b. 1987) is a Detroit native, currently residing in New York City. Moore received a BFA in Illustration from the College for Creative Studies (2009) and an MFA in Painting from the Yale School of Art (2013). He has participated as an artist-in-residence at Knox College, Fountainhead residency and the Albers Foundation. Moore’s work has afforded him many opportunities—from multiple exhibitions and featured articles including the New York Times. A few places his work has been exhibited include the Charles H. Wright Museum, George N’Namdi Center for Contemporary Art and the Detroit Institute of Arts. Some of his solo show exhibits have been seen at Winston-Salem State University’s Diggs Gallery and The Urban Institute of Contemporary Art. His work was also included in the Studio Visit Volume 31 (2015) and the Studio Museum in Harlem’s catalog, Speaking of People: Ebony, Jet and Contemporary Art (2014).

Visit Mario’s website here.

Juanita Moore

Former Jury Member

Former President + CEO | Charles H. Wright Museum of African American History

Juanita Moore retired from the Charles H. Wright Museum of African American History in July 2018. You can read more about her retirement here. Jo Anne Mondowney, Executive Director of the Detroit Public Library, replaced her on the Jury.

Juanita Moore was the President & CEO of the Charles H. Wright Museum of African American History (Detroit, MI), the largest museum of its kind in the nation. Prior to assuming that post, she served as Executive Director of the American Jazz Museum and the Gem Theater located in the 18th & Vine Historic District (Kansas City, MO). Dr. Moore served as founding Executive Director of the National Civil Rights Museum (Memphis, TN). In that capacity, Dr. Moore oversaw the construction and opening of the museum located at the Lorraine Motel, the site of the assassination of Dr. Martin Luther King Jr. 

Julie Bargmann

Professor of Landscape Architecture | University of Virginia
Founder + Principal | D.I.R.T. Studio

Julie Bargmann is internationally recognized as an innovative designer in building regenerative landscapes and with interdisciplinary design education. Her graduate design studios and courses focus on the design potential for productive futures of fallow cities. Applying this research at her small design practice D.I.R.T., she explores the past and present industrial operations and urban processes in relationship to ecological systems, cultural constructs and emerging technologies. Along with a degree in sculpture from Carnegie-Mellon University, Bargmann earned a masters in landscape architecture at Harvard Graduate School of Design followed by a Fellowship at the American Academy in Rome. Bargmann's work was awarded the National Design Award by Smithsonian's Cooper-Hewitt Museum. TIME, CNN and Newsweek, along with national and international design publications have recognized Bargmann as leading the next generation in making a difference for design and the environment.

You can read more about Julie here.

William Gilchrist

Planning and Building Director | City of Oakland, California

William Gilchrist has 35 years of planning experience. He was

director of place-based planning in New Orleans, focusing on the city's design and development strategy, since 2010. He was previously a senior associate at AECOM in Atlanta and planning director in Birmingham, Alabama. He has a master's degree in architecture, a master's degree in management and a bachelor's degree in design from the Massachusetts Institute of Technology.

You can read more about William here.

Cara McCarty

Curatorial Director | Cooper Hewitt, Smithsonian Design Museum

As Curatorial Director, McCarty’s primary responsibility is overseeing the Museum's collections and helping to shape the exhibition program. Major initiatives at the Museum are done collectively, with each division playing a role in decisions. One of the most visible outcomes of the newly renovated Museum is that they have 60% more gallery space for exhibitions, including one floor devoted to showing Cooper-Hewitt's vast collections. McCarty has also been very involved in the Museum’s major renovation, which re-opened in Fall 2014.

You can read more about Cara McCarty here.

Jo Anne Mondowney

Executive Director, Detroit Public Library

Jo Anne G. Mondowney, an innovative, award-winning library administrator has served as the executive director of the Detroit Public Library (DPL) since 2009. She brings considerable expertise to the Director’s position including five years as Director of the Flint Public Library. Ms. Mondowney’s library career began in Baltimore, Maryland at the Enoch Pratt Free Library. As an established leader in the field of Library Science, Ms. Mondowney chaired the American Library Association’s (ALA) Budget Analysis and Review Committee and is a former treasurer of the ALA/Black Caucus. Ms. Mondowney received the 2002 DEMCO/ALA Black Caucus Award for Excellence in Librarianship and in 2013 was recognized as one of Detroit’s Women of Excellence.

Richard L. Rogers

President | College for Creative Studies

Richard L. Rogers is president of the College for Creative Studies (CCS). During Rogers’ tenure, the College has more than doubled its enrollment and physical space, established seven new undergraduate departments, launched its first graduate programs, expanded to two campuses, and developed community outreach programs reaching 4,000 inner-city youth annually.

Rogers co-founded and serves on the governing board of Henry Ford Academy: School for Creative Studies, a K-12 school of art and design co-located with CCS’s design programs at the College’s Taubman Center.  He also co-founded Design Core Detroit, an economic development organization within CCS, that champions design-driven businesses and their role in strengthening Detroit’s economy.  Prior to CCS, Rogers served as vice president and secretary at the New School for Social Research (now The New School) in New York City.”

You can read more about Richard here.


 

CCPI Mission + Objectives

The Cultural Center Planning Initiative hopes to accomplish the following:

Immediate Physical Presence Give the the Cultural District immediate physical presence and visibility that exemplifies it as a progressive beacon for the City of Detroit and as an important arts & culture destination—the kind of place people make pilgrimages to.

An Enhanced and Interactive Cultural Center Enhance and enliven the Cultural Center campus by creating a highly-attractive and welcoming environment (day and night, through all seasons, and active all year long) that promotes a strong sense of community and sociability, that can alter the perception and the state of mind of the local visitor and distant traveler, while increasing dialogue and accessibility. Make the district landscape more welcoming, accessible and user-friendly, considering ways in which people enter and exit the cultural institutions, while addressing parking and driveway issues.

Connect all the Institutions Strengthen the connections between the institutions and their neighbors, including the surrounding organizations. Develop a design scheme that connects the stakeholder institutions with a beautiful series of settings that support all types of programming and public art, and that transforms our neglected little spots. It is important as the Cultural District moves into the future, each institution’s exterior public spaces also connect to the surrounding community, the city and the metro area.

Engage the Public Improve the stakeholder institutions’ identities and the overall sense of place within the district by actively engaging the public in the planning process.

Sustainable Values Create a strong, safe and flexible design vision, informed by placemaking, accessibility, footfall and people flows that can accommodate all types of programming and temporary exhibition/installation spaces. Use innovative materials and make design choices incorporating energy-saving, green technologies where possible, plant for biodiversity and consider indigenous species, and create opportunities for the institutions to manage stormwater. Considers financial sustainability, long-term maintenance, and operations.

 

CCPI Community Engagement

The CCPI is shaped by and centered on the incorporation of the Detroit community as a whole, including all the stakeholders of the district: institutions, employees, residents, commuters and neighbors. Since the inception of the International DIA Plaza | Midtown Cultural Connections competition, the community stakeholders have been involved every step of the way, either through workshops, public presentations, or by way of comment cards at certain events, the community voice is always heard and taken into consideration during the CCPI process.

CCPi community Engagement goals:

  1. Involve the public in CCPI process

  2. Inform Design Team with public feedback

  3. Hear and share perspectives from all 12 institutions in the Cultural District

  4. Identify shared goals and opportunities

  5. Utilize findings to inform next steps

Read the CCPI Community Engagement report here.

 
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 The Student Design Summit

The Student Design Competition is a complementary component of the Cultural Center Planning Initiative meant to engage High School and College students in Michigan with contemporary design practices and community involvement. Students get the chance to team up and prepare a design-based solution for civic space, and present their proposals to professionals in the field.

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The Detroit Square

Read more about the winning team and their design!

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The Process

Read more about the design team selection process and the timeline of events!

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The Cultural Center

See who the project stake holders are and learn about Detroit’s Cultural Center

THE DETROIT SQUARE

As envisioned by the design firms Agence Ter, Akoaki, Harley Etienne and rootoftwo in collaboration with the Detroit Community

The Detroit Square (DSQ) is the winning design proposal of the DIA Plaza | Midtown Cultural Connections Competition from the winning team consisting of Agence Ter, Paris, France; Akoaki, Detroit; Harley Etienne, University of Michigan; rootoftwo, University of Michigan and Detroit; and Transsolar | KlimaEngineering, Germany. The goal of the design is to help the district’s cultural institutions and organizations catalyze transformation, vibrancy and resiliency in their community. The DSQ places emphasis on the cultural constellation of Detroit—the city’s artists, designers, culture bearers, mico and meso organizations, and stakeholders. The goals of the DSQ are to amplify the successful programs and activities that are already on site; produce shared amenities and assets; and create spaces of affordance and spaces of experimentation for novels forms of activation.

The Design team is diverse with knowledge and skills in all niches of disciplines that are integral to a successful and sustainable design process and execution. It’s made up of architects, planners, technologists, designers and artists.

 

Meet the team

 
The design team from left to right: Dr. Harley Etienne (University of Michigan), Jean Louis Farges, Anya Sirota (Akoaki, Detroit), Olivier Philippe (Agence Ter, Paris), John Marshall, Cezanne Charles (rootoftwo, Ann Arbor and Detroit), and Don Carpe…

The design team from left to right: Dr. Harley Etienne (University of Michigan), Jean Louis Farges, Anya Sirota (Akoaki, Detroit), Olivier Philippe (Agence Ter, Paris), John Marshall, Cezanne Charles (rootoftwo, Ann Arbor and Detroit), and Don Carpenter (Drummond Carpenter, PLLC).

 
 

agence ter, paris, france

An internationally respected firm bridges between urbanists, architects and landscape designers. Co-founded and directed by Olivier Philippe, they have a strong reputation for their attention and maintenance of existing conditions, context, and facilitating interactive exchanges to promote landscape as a vector for metropolitan change. 

Dr. Harley Etienne, university of michigan

Harley Etienne is a noted author, researcher, consultant and teacher with a keen understanding of the way social, cultural and political contexts intersect with public institutions to facilitate urban neighborhood change.

Akoaki, Detroit

Principals Anya Sirota and Jean Louis Farges explore the ways culture and context prompt novel aesthetic environments. Their network building capacities, interdisciplinary design processes, and programming strategies are celebrated for creative innovation at the urban scale. 

rootoftwo, university of michigan and detroit

Cezanne Charles and John Marshall co-direct a research and practice-driven hybrid design studio that instigates projects that test the materiality and consequences of technology at the city-scale. They make social objects, experiences, and works for the public realm which engage participants in civic future-making. 


deasign team contractors

Arcadis with Rowe, Mobility Study

Drummond Carpenter, PLLC, Stormwater Management

Kidorf Preservation Consulting, Historic Consulting

Rich & Associates, Parking Study

SmithGroup, Ann Arbor, Topographic Survey

8 x 18, Lighting Design


 

Watch: Detroit Square Presentation

DSQ is an international collaborative effort between Agence Ter, Akoaki, rootoftwo, and Harley Etienne. Additional Project Partners: Arcadis North America, 8’8” Lumiere, Kiduck Kim Architect, Transsolar Klima Engineering, Stuttgart, and Drummond Carpenter Engineering & Research.

 
 

Imagine the Detroit Square


 
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The Student Design Summit

Check out the events, competition, and resources for the 2018 and 2020 Student Design Summits

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News & events

Stay up to date on the CCPI and see what’s happening in the area!


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Is the Detroit square the final design?

The Detroit Square is the winning proposal of the DIA Plaza | Midtown Cultural Connections competition. As the design team tries to implement the main components of this original design, it should be noted that the final design will be impacted by the findings of the 18-month planning process.  

When will the project be complete?

The project management and design teams have developed an 18-month timeline for this planning initiative, estimated to be completed by February 2021. A framework plan and implementation strategy will be developed that will include phasing, long-term development options and maintenance strategies, along with cost estimates, renderings and animations. 

How can I get involved as a community member and give my input?

The CCPI hosts events year-round where community members and other stakeholders may attend and engage with the CCPI project management and design teams either through public forums and workshops, walking tours of the district, and other surveys, etc. 

PLEASE NOTE:  A series of community engagement activities are currently being planning for the remainder of 2020. A strategy for how to best engage with the public during the stay-at-home order and beyond is being explored. Stay tuned for more information.